Showing posts with label bullseye glass. Show all posts
Showing posts with label bullseye glass. Show all posts

8/08/2012

Robin Rice Essay

Robin Rice does a wonderful job interviewing and writing about each artist that becomes a fellow at Wheaton Arts, Creative Glass Center of America. Below is a link to the her essay about my work and time at Wheaton last summer. Hope you enjoy!
Above is Betty the Black Widow who inspired 
the installation below called "Tripod"

http://www.wheatonarts.org/creativeglasscenteramerica/criticresidency/robinrice/juliusjanejessica

8/03/2012

"3 Questions"- interview on Glass Quarterly Blog

Just posted last week is an interview that asks 3 questions dealing with my creative process, inspiration, and what I am working on. I hope you enjoy it.



To see the interview please click the link below
http://blog.glassquarterly.com/2012/07/20/3-questions-for-jessica-jane-julius/#more-15150

7/04/2012

"Passing the Torch"

Exhibition Passing the Torch at Wheaton Arts in the Gallery of Fine Craft 3/12 - 5/12.

I was asked to be a part of an exhibition on Contemporary Flameworking by Paul Stankard. It was a honor to chosen by someone with such history in the American Studio Glass Movement. Thank you Paul!

"Fraction", Flameworked bullseye glass 

11/30/2011

Vision: Creative Glass Center Biennal, Gallery of Fine Craft, NJ



Show dates- May 21st- July 4th, 2011
Opening June 10th, 3-5, during Glass Weekend at Wheaton Arts

7/17/2010

Work from "Blurring the Subject" Series

This is new work in the series called "Blurring the Subject".
It is lampworked orange bullseye glass.



7/24/2008

Hybrid- cast glass finger installation





The work "Hybrid" consists of opaque black glass fingers and a data system of rub-on-letters. Through isolating a part of the body, it becomes a foreign object however recognizable. The finger focuses on the action of touching, pointing, and defining information and represents our tactile experience. The small objects have characteristics of actual fingers through, realistic size, fingerprints, and quality of skin. They are placed on the wall in a way where they are pointing or containing parts of the data, representing an act of touch and inquiry in the same way we learn about the world through touch. Through the interface of the objects with the numbers, letters, and symbols the work talks about how we categorize, focus, and analyze with the use of technology, data, and systems. The impermanency of the work stresses the changing of information through time and how our systems change with new information and new discoveries.

Static- glass scribble






This installation is made from lampworked black glass and a glass photogram.

A dream is the experience of envisioned images, sounds, or other sensations during sleep. Sigmund Freud theorized that dreams are a reflection of human desires and promoted by external stimuli such as our environments. Joe Griffin states "dreams are metaphorical translations of waking expectations. Expectations that cause emotional arousal that is not acted upon during the day." "Static" was an attempt at transforming emotion into form. The inspiration for the work comes from a reoccurring dream. Within the dream, an infinite three-dimensional black line fills my vision and releases a low pitch constant hum. I am without body or form just aware of feeling. The line becomes tense and starts to vibrate like a heart beat monitor. The intensity builds until I wake up perspiring.